A new amazing kit for fans of live guitar music, a beautiful pack of electroacoustic guitars samples. It has a lot of emotions, experiences, warm sound and retro atmosphere.
You will find real melodies, harmonies and chords in different genres with absolutely unique sounds of all the nuances of live guitars. You will also receive many additional single chords and strokes to help you create a lively ambience in your tracks.
Vintage Guitars is a delightful collection of guitar melodies from composer and musician Kurmax, recorded in his studio using popular model electro-acoustic guitars and analog effect chains.
100 Guitar Loops Dry
100 Guitar Loops Wet
50 Guitar Hits
200 Rex2 FileAdditional Information
Product informatio
Following on from the popular Vintage Guitar DABRO Music continues in the retro tradition and is proud to present Vintage Guitar Vol 2.
The new, amazing kit for lovers of live guitar music, a beautiful pack of samples of electro acoustic guitars. It has a lot of emotions, feelings, warm sound and retro atmos-phere.
You will find authentic melodies, harmonies, and chords in different genres with an absolutely unique sounding of all the nuances of living guitars. You will also get lots of additional single chords and strokes that will help you to create a lively atmosphere in your tracks
Vintage Guitars is a delightful collection of guitar tunes from the composer and musi-cian Kurmax which was recorded in his studio by means of the popular model? S elec-tro-acoustic guitars and analog effects chains.
This pack contains 200 guitar loops from 90 to 100 BPM which are ideal for use in Hip Hop, Trip Hop, Jazz, Acid Jazz, Blues, Indie Rock, Funk, Downtempo, Ambient as well as retro music and any atmospheric compositions.
In detail expect to find 814 MB of content with 250 individual 24 Bit WAV files are in-cluded 100 Guitar Loops Dry, 100 Guitar Loops Wet, 50 Guitar Hits, and 355 Rex2 Files
SPEC
Zip Contains
814 MB
24Bit 44.1KHZ
100 Guitar Loops Dry
100 Guitar Loops Wet
50 Guitar Hits
200 Rex2 File
s : S:. . n
