ANTRESOL
Bringing a classic pedal back to life, we have created a must-have effects plug-in that will appeal not only to guitarists but also to instrumentalists and producers of almost any genre, from rock guitar riffs to melodic synth lines.
Once you get to know it, you will find that the extreme attention to sonic detail combined with the flexibility provided by modern technology makes Antresol the perfect example of what a flanger should be in the modern era.
Conceived in the mid-70s, the original quickly became the benchmark for flanger effects, offering a uniquely rich character defined by luxurious harmonic interplay of resonances, and has since been heard on countless classic recordings.
That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a completely modern incarnation with Antresol, our newest effect in the SilverLine collection!
DECIMORT 2
Electronic music producers (especially hip-hop) have long recognized that classic samplers (like the early Akai and E-MU models) had a character and sound all their own: they added a “grain” and “color” to the samples and made the loops they played sound “fat” and fit well into the mix. This coloration of the sound was due to the encoding methods, lower sample rates and bit depths, and the conversion circuitry used in these early samplers. Decimort recreates this coloration and adds vintage sampler magic to any loop, any bassline, or any sound played through it for that matter!
In addition to emulating a vintage sampler, it is also the perfect beat crusher with a filter capable of extreme tweaks for impressive results.
DEVASTOR 2
Devastor 2 is the second generation of the first FX plugin for D16 from the SilverLine Collection series. Devastor is a deceptively simple, yet remarkable multi-band distortion unit. It is an expanded version of the distortion unit found in Phoscyon, but with full control over the multi-band processing. This takes the possibilities of sonic distortion to a whole new level!
Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with a combo speaker. It can even be used on drums to make them sound dirtier and more dynamic!
Devastor isn’t just good at creating distorted, monstrous sounds: it can also be used subtly to enhance the timbre and character of softer sounds. For example, reducing the preamp gain, increasing the threshold, and choosing a soft knee for dynamics will add warmth and detail to the sound without introducing distortion.
FAZORTAN 2
The Fazortan 2 is the latest incarnation of our controllable space phaser, part of the SilverLine collection. Needless to say, we haven’t ignored this trusty, beloved analogue device. The Phase Shifter gives you complete control, allowing you to achieve highly precise sonic contours. If you’ve ever wondered what’s behind the swirling, airy synth vibes that are synonymous with the vintage sounds of Jean-Michel Jarre, surprisingly it has less to do with the synths he chooses and more to do with the analogue phaser for which the Fazortan 2 is a perfect counterpart.
FRONTIER
The quality and performance make Frontier the perfect tool for almost any studio situation. Its simple and straightforward interface combined with excellent sound quality will surely be appreciated by any engineer looking for an effective way to control the dynamics of a channel, bus or even a master channel.
Frontier can be used as a very transparent mixing/mastering limiter (at certain settings), simply smoothing out the loudest amplitude peaks, or it can be used more creatively as a sound shaper when it comes to more extreme settings.
GODFAZER
This is an advanced modulation that includes a wide selection of vintage devices (22 models in total). Each of the multi-effects has 40 filter types, from dual-shelf equalizers to a wide selection of phasers. Both multi-filters can be animated using common modulators.
Godfazer also includes all the standard features of the SilverLine series of plug-ins, including 64-bit internal processing, three quality options for real-time playback and offline rendering, a resizable GUI, and a browser with pre-installed tags.
REDOPTOR 2
Contains a fairly accurately modeled tube distortion module. The emulation focuses not only on the characteristics of the tube, but also on the rest of the circuitry that works together with the tube within the distortion module to capture all the subtleties and dynamics inherent in high-quality analog devices. Use Redoptor on guitar, drums, arpeggio sequences, synths or acoustic sounds and you will hear its warm, rich and truly unique character.
REPEATER
Repeater is a vintage-style delay module that is the result of a collaboration between D16 Group and Slate Digital. This effect can simulate the behavior of various classic devices, in particular 23 different types of devices: from classic oil cans and plates to the most famous vintage digital models.
SIGMUND 2
The plugin consists of four discrete delay blocks, each with an independent set of parameters that give you the freedom to shape your sound. There’s an ancient saying, often attributed to Aristotle: “The whole is greater than the sum of its parts.” In the case of Sigmund, this is especially true, as each of the delay lines has additional modules built in, such as a filter and overdrive, that operate independently of the feedback loop.
The delay lines themselves can also be combined with each other in a number of ways. Sigmund’s user interface has been designed from the ground up to be as intuitive as possible. Everything is presented on a silver (or brushed aluminum) platter, cleanly and clearly laid out, with instant access to each section and its parameters.
SPACEREK
D16 Spacerek is designed for those who are tired of complex reverb plugins. The virtual reverb promises ease of use and low CPU requirements.
The plugin is based on a hybrid reverb engine. Early reflections are generated by a specially developed D16 Virtual Space Reverb algorithm. Late reflections are created by a dynamic delay, which automatically selects the appropriate delay time. Combining the algorithm and dynamic delays allows you to emulate many different spaces: tunnels, rooms, halls, and so on.
For each generated space, you can select several microphone presets and speaker configurations, which gives you a total of 114 effect options. The built-in mixer allows you to adjust the ratio of the original signal, early and late reflections. Additional features include Mid/Side processing, a low-pass filter, and a simple reverb equalization section.
SYNTORUS 2
D16 decided to create a plugin that would have a rich analog chorus sound, similar to the effect found in classic synths like Solina, Synthex or Juno. This new effect is called Syntorus.
Syntorus has a unique sound that will add beauty to any instrument it is used on. It will make your synth basses and leads come alive. It will also add extra depth and lushness to your acoustic instruments.
TEKTURON
This is a powerful multi-tap delay with a built-in sequencer. The effect offers 16 independent delay lines, all organized in a sequence to provide a level of inspiration and possibilities not available with conventional delays.
What makes Tekturon stand out from other similar plugins is the way it is controlled and the unique topology in which the taps are arranged: a delay matrix. In other words, you can create a sequence of taps that literally create delays from each other. You can control the delay loop, panning, stereo widening, and filter for each of the 16 lines, while tempo sync and swing are set on a global level.
TORAVERB 2
Virtual Reverb. The conceptual algorithm implemented in the block allows you to create almost any type of reverb.
When creating Toraverb, we did not base it on any current reverb available on the market. We did not implement any “ready-made” algorithm. Toraverb is not a classic spring, room, hall or plate type reverb. Toraverb is a conceptual algorithmic reverb. Using a set of easily accessible parameters, it allows the user to create almost any type of reverb. Our goal was to create a reverb that would sound pleasant and musical to the listener, and the result can be modified in many ways.
Reverb is a critical effect in a mix. The results depend on the algorithm used and the quality of the implementation. Reverb is typically used as a send effect, with many channels in the mix being routed to it. If a low-quality plug-in or hardware unit is used, the end results can sound very disappointing, with the reverb track sounding rough around the edges in the mix.
PULSATEC
Pulsatec is a modern equalizer plugin designed to capture the essence of vintage passive equalizers.
Provides a warm, musical tone that enhances the character of any audio source. Its design allows the same frequency range to be boosted and cut at the same time, allowing for unique tone shaping techniques that have been used by audio professionals for decades.
The plug-in provides intuitive controls for the low and high frequency ranges, each with adjustable frequencies and adjustable bandwidth. This flexibility allows you to precisely shape the audio spectrum, whether you want to boost the lows or make the highs clearer. The ability to fine-tune these parameters makes Pulsatec a versatile tool for both mixing and mastering.
- Download D16 Group – SilverLine Collection 2025.6 VST, VST3, AAX x86/x64 [06.2025] (TCD)
- Original Publisher: D16 Group
- Version: 2025.6
- Category: Audio plugins
- License type: Full
- Download: Size 896.1MB
