Emergence Audio – Violin Textures 2.0.0

AN UNCOVENTIONAL APPROACH
Violin Textures is the first installment in our non-static string series. Expand your sonic possibilities with our Infinite Motion Engine™ and Non-Static Sampling™ which integrates emotion and synth programming all in one easy to use interface.

We brought in the expertise of world-renowned violinist Francesca Dardani to help us create an emotionally moving nuance, and the results are stunning!

Our intuitive Infinite Motion Engine™ and Non-Static Sampling™ process allows you to blend and sculpt expressive sonic landscapes in new and unique ways that never feel static. Create pads, textures, soundscapes, drones and pulses for a wide range of genres including film, television and game scoring, contemporary era music, neo-classical music, ambient music, drone music, sound design, trailer music, new age/meditation music, and much more.

MOVEMENT THAT FEELS INFINITE
Non-Static Sampling™ is an approach developed by founder Michael Vignola that introduces a constantly evolving and unpredictable quality into a sonic environment, adding depth and realism. Rather than simply relying on a short and static predetermined sample, this technique infuses each note sampled with subtle and unique variations in the performance over a very long period of time which preserves the natural complexity and richness of live instrumentation. This keeps the listener engaged and the audio feeling fresh, emotive, and dynamic. We believe when combining this technique with our Infinite Motion Engine™ we have created a powerful and innovative new tool that allows users to instantly elevate their audio productions to new levels of authenticity and artistry.

  • Download Emergence Audio – Violin Textures 2.0.0 (Kontakt)
  • Original Publisher: Emergence Audio
  • Version: 2.0.0
  • Category: Kontakt Library, Sound Libraries
  • Require: Kontakt (7.7.3+)
  • License type: Full
  • Download Size: 1.91 GB
Subscribe
Notify of
guest

1 Comment
Oldest
Newest Most Voted
Inline Feedbacks
View all comments