Native Instruments – Noire v1.1 (KONTAKT) Instruments - Noire v1.1

Native Instruments has announced the release of NOIRE, a new Kontakt instrument that captures the signature sound of composer and pianist Niels Fram’s piano.The instrument – which includes both clean and felt versions of the Yamaha CFX 9 concert grand show – has been carefully selected in the rich environment of Saal 3 at Berlin’s Funkhaus recording complex.The result is a unique, intense and memorable instrument with its own atmosphere.

Two different sample sets – clean and felt

Requirements: KONTAKT PLAYER or FULL version 6.0.4 or higher

NEW v1.1
1.1.0 — 2019-05-22ADDED 107 new snapshots in the new “Sound Design” and “Vintage” categories
ADDED Reverb and delay on/off switches on the main page
IMPROVED Controller page layout
ADDED Native Browser
Further reading
NOIRE offers new sonic inspiration for solo compositions, scoring, and more, with two distinct grand piano sample sets. The pure version presents the clear, unadulterated tone of Nils Frahm’s handpicked and custom-intonated concert grand piano, captured in a renowned recording studio. The felt version is the same piano, in the same room, but with a felt moderator between hammers and strings, which creates a gentle tone with reduced attack. Users can sculpt the sound of both versions by adjusting attack, release, resonance, overtones, velocity curve, temperament, and more.
Extensive creative customization optionsNOIRE provides a wide array of creative options so users can make the sound their own. Users can add natural and mechanical noises to enhance realism, dial in sub bass, alter the spectral character of the instrument, and choose from sound design effects to completely transform the instrument’s sound. NOIRE also offers EQ, compression, reverb, and delay for fine-tuning the piano’s place in the mix.To help spark new creative ideas, NOIRE incorporates an innovative particles engine that automatically generates clouds of pulsating, swirling harmonic elements based on what users play.

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