Sugar Bytes – Turnado v1.8.0 for WiN

Keep it simple! Turnado features 8 knobs, each of which intensifies an effect and changes it on the dial. It invites you to play and experiment with one or several effects. Customize 24 effects in Expert mode. If you want to make it even more compact: in Dictator mode you can control all 8 effects simultaneously with a single fader.

The set includes 8 knobs, each of which triggers an effect and changes it using the dial. It invites you to play and experiment with one or more effects. Customize 24 effects in Expert mode. For an even more compact setup, you can control all 8 effects simultaneously with a single fader in Dictator mode.

The silver bullet of audio manipulation

• 24 effects in 8 slots
• Classic: delay, reverb, amp, filter
• High-tech: modulation, transformation, loops and DJ
• Modulation via 2 LFOs and Step Sequencer
• Dynamic signal flow
• Dictator mode
• NKS support for Komplete Kontrol and Maschine
  

Remix Digital Audio

Rethink existing material. Calling Turnado a multi-effects processor doesn’t really capture its essence. While reverb and delay can be used subtly, what sets it apart from a typical multi-effects device is the combination of available effect types and real-time control.

The graphical interface is clutter-free, with bright, clean graphics. Open it, and you’ll immediately understand the essence. Turnado is reliable and CPU-efficient if you plan to use it live or, say, in a dozen simultaneous applications. As a studio or stage plugin, Turnado proves to be a surprisingly versatile tool, while minimizing its complexity.

Unless you’re an octopus, the Dictator fader is probably interesting: this fader offers a unique way to control multiple knobs with just one slide. Here, you can customize when and how far to turn each knob. Of course, Turnado lets you automate all controls. Or, if you’re looking for a more natural approach, control them remotely via MIDI.

Dynamic Signal Flow

There are two options for routing a signal through effects: going through each one sequentially (from bank 1 to 8) or dynamic signal flow mode, where the action follows the order in which each effect is activated.

Adjusting the order of effects is an art in itself, and being able to change effects by dragging one on top of another allows you to quickly understand how a different order can significantly impact the overall sound.

This can also be useful if, for example, you want the reverb to be last in the chain, regardless of how long it’s active.