DevProAudio – REVERSIDE v1.0.0 for WiN

Dual-engine 3D spatial reverb

REVERSIDE is a versatile, dual-engine, fully algorithmic reverb with a geometry-based 3D positioning and spatial localization system. It combines independent early and late reflection engines, allowing you to separately control the clarity and decay of the reverb. 

Place the virtual source and listener in a simulated space, and let the room geometry influence the directionality of both early and late reflections. Use it as both a reverb and a placement tool to create a cohesive soundstage where multiple tracks sound as if they belong in the same space. 

A pitch-preserving modulation system, along with stereo audio for each engine, filters, and EQ, preserve the richness and detail of the sound without the characteristic pitch blurring. For quick work, use the Easy page and preset library; for deeper development, open dedicated pages for editing reflections, position, diffusion, filters, EQ, and modulation.

Peculiarities

• Versatile dual-engine, fully algorithmic reverb with separate, easily adjustable Early and Late reflections engines.
• Precise control over ambience, timbre, stereo imaging, timing, and decay.
• 3D positioning for placing the virtual source and listener in the modeled acoustic space.
• Useful for creating a unified ambience for multiple instruments in a mix.
• Physically based room shape plus familiar musical reverb controls.
• Material/ER and Decay filter follow/match modes for matching the tonal characteristics of the engines.
• 14 unique diffuser models.
• Dedicated mini-diffusers on both engines for added density and texture.
• Separate stereo controls for the Early and Late engines, plus a dedicated WIDE mode for the tail end of Late Reflections.
• ER-to-LR control with selectable pickup point in the Early Reflections chain.
• Stereoshaping, filters, EQ, pitch-preserving modulation, and flexible pre-delay.
• Automatic modes for determining the amount of reflections and reverb time based on the geometry of the virtual space.
• 3D processing can be enabled separately for the direct path, early, and late reflections by selecting one of the quality modes.
• Extended envelope mode for creating non-exponential decay profiles, especially useful for modeling rooms.
• Two ways to control ER/LR and Dry/Wet mixing: balanced mode or absolute gain in dB with automatic switching between modes.
• Absolute and relative room sizing modes for shaping different parameters.
• The ability to switch from reverb to resonant delay effects reminiscent of echo.
• Unique reverb density control simulating the dispersion of irregular, separate reflections.
• Over 100 internal LFOs for animating many aspects of the algorithm while preserving harmonic detail in the tail.
• Clear visual feedback with an interactive Position Display, dedicated Reflections and Reverb displays, and angled views for displaying directional reflections.
• Hundreds of presets, including those from RumbaCodex and Nirto (NSONICS).
• A user-friendly page for quick setup and a fast preset-based workflow.
• GPU-rendered UI, allowing more CPU power to be used by the audio processor.
• Localizable UI.
• User-configurable UI color themes.
• Pre-installed color themes.