Styx Audio – Satori Channel v1.0.2 for WiN

Satori Channel. The moment when mixing becomes clear. Filters. Gates. Nine saturation modes. Compression. Transient shaping. Musical EQ. De-essing. Stereo generation. Psychoacoustic panning. Clipping. Limiting. Your entire processing chain, consolidated into one focused musical workflow.

Not another console panel

Traditional channel strips are limited to filters, gates, EQ, compression, and a handful of analog effects. You still get to add a saturator, transient shaper, de-esser, stereo instrument, clipper, and limiter. Satori Channel is designed to be the only plugin most tracks need—to get the perfect sound fast.

Analog Thinking. Modern Workflow

Many modern plugins let artificial intelligence determine what your sound needs. Satori Channel doesn’t: each processor is built on the principles of classic analog circuits, and each module is tuned to deliver musical sound from the first touch—the sweet spot is right there at your fingertips.

Select the character. Specify the degree. Generate the result.

Nine colors of saturation. In one click

Nine different analog modes—from subtle warmth to aggressive destruction. Choose a scheme, tweak it with Drive and Mix, and shape it with a dedicated High Cut and Resonance.

Ed Saturation Mode

Clean, smooth preamp color with large transformers. The most gentle mode – suitable for any task.

Bruce Saturation Mode

Modern Class A Hybrid Color. Dense, clean and energetic sound without softening.

Bob Saturation Mode

Vintage germanium transistor glow. Soft, rounded lows and slightly fuzzy highs.

Jack Saturation Mode

A powerful drive unit with an iron transformer. Provides weight and power to the low frequencies.

Dave Saturation Mode

Saturation on a reel-to-reel tape recorder. Smooths out the sound and softens sharp peaks.

Andrew Saturation Mode

Single-tube character with a woody, midrange sound. Good for adding expressiveness to the sound.

Andy Saturation Mode

Rich, high-voltage, three-tube sound. Dense yet smooth vocals.

Joey Saturation Mode

Powerful tube drive. The loudest and most aggressive tube sound.

Terry Saturation Mode

Solid-state overdrive with diode clipping. Sharp and gritty sound—great for drums and guitars. Everything you need to shape and complete the sound. And almost everything works in parallel – each module has its own Mix control.

Filters

Flexible low- and high-pass filters with two behavior models – classic console style and DJ mixer style.

Gate

Controls noise, bleed and unwanted tails: adjustable sensitivity, three release modes and parallel mixing.

The Amount and Mix compressors

are two instant-action controls. Inside, there’s a two-stage design (slow and fast compressors), a sidechain filter, and a Transient Punch. Slam adds a third, “supercharger”-type compressor.

EQ & Air

Two classic analog equalizers: a three-band section inspired by vintage British consoles and an Air band from a renowned mastering EQ, plus two notch filters to eliminate dirt and resonance. They operate in parallel.

De-Esser

Direct control of frequency, sensitivity, and parallel mixing. Listen mode isolates the problem area; a reduction indicator shows exactly how much the problem has been reduced.

Stereoize transforms mono into a spacious, moving stereo image using sync and pitch shifting in a tape-drift style—compatible with mono. Plus stereo widener, low-frequency monoization, phase reversal, left/right channel swapping, and Haas panning .

Clipper

Catch sharp transients: parallel mixing, adjustable clipping, and a clear meter that shows exactly how the signal is affected.

Limiter & Level Match

Complete the chain: adjustable output limits, input drive, and gain reduction metering. Built-in Level Match compares the processed and unprocessed signals at the same perceived loudness—evaluate processing, not loudness.

Handcrafted Presets

This isn’t a typical set—each preset is handcrafted for all major instruments, acoustic and electronic. Choose one, and the entire chain is in place.

Parallel processing built into the workflow

Gate, saturation, compression, EQ, de-essing, and clipping—each with its own Mix control—allows parallel processing without additional buses or duplicate tracks. Separate module bypasses allow for honest comparisons instantly.